Publications

In Preparation: 

With Steven Yao (Hamilton College, USA) and Mark Byron (University of Sydney), eds. The Routledge Companion to Ezra Pound. London: Routledge, 2027.  

With Joshua Hoeynck (Case Western University, USA), eds. The Complete(d) Correspondence of Charles Olson and Robert Creeley. A multivolume scholarly edition of edited letters.

Monograph:

Kindellan, Michael. The Late Cantos of Ezra Pound: Composition, Revision, Publication. London: Bloomsbury, 2017.

Editorial:

With Alex Rose Cocker (Sheffield), eds. Utter Vulnerability: Essays on the Poetry of John Wieners. Montpellier: Presses Universitaires de la Méditerranée (PULM), 2025. 

With Joshua Kotin. Special Issue on Ezra Pound and Pedagogy. Modernist Cultures 12, no. 3 (Autumn 2017): 345–63; 388–90. 

Includes Kotin and Kindellan's provocation "The Cantos and Pedagogy" and individual replies from internationally-renowned scholars Charles Altieri (UC Berkley), Alan Golding (Kentucky), Marjorie Perloff (Stanford), Michael Coyle (Colgate) and Steven Yao. And a "Response to the Responses".

With Joshua Kotin (Chicago) and Joshua V. Adams (Chicago). Stephen Rodefer Special Issue. Chicago Review 54, no. 3 (Winter 2009). [Editorial]

Essays: 

“Graphic Wieners: Queer Portraiture”. In Utter Vulnerability: Essays on the Poetry of John Wieners, edited by Michael Kindellan and Alex Rose Cocker, 175–204. Montpellier: Presses Universitaires de la Méditerranée (PULM), 2025. 

“Modernist American Long Poems”. In Cambridge History of American Modernism, edited by Mark Whalan, 266-84. Cambridge: Cambridge University Press, 2023.

“Canto LII”. In Readings in The Cantos, edited by John Gery and Richard Parker, 71-82. Liverpool: Liverpool University Press, 2022.

“Texts of The Cantos and Theories of Literature”. In The New Ezra Pound Studies, edited by Mark Byron, 88–103. Cambridge: Cambridge University Press, 2019.

“Projective Verse and Pedagogy". In Staying Open: Charles Olson’s Sources and Influences, edited by Joshua Hoeynck, 1-30. Vernon, DE: Vernon Press, 2018.

“Sound, Sign, Canto 99”. Glossator: Practice and Theory of the Commentary 10 (2018): 83-120.

With Joshua Kotin (Princeton University). “The Cantos and Pedagogy”. Modernist Cultures 12, no. 3 (Autumn 2017): 345–63; 388–90.

“Ownership and Interpretation: On Ezra Pound’s Deluxe First Editions”. In Reconnecting Aestheticism and Modernism: Continuities, Revisions, Speculations, edited by Bénédicte Coste, Catherine Delyfer and Christine Reynier, 187–201. New York: Routledge, 2017. 

“Ezra Pound, Henri Gaudier-Brzeska and Philology”. In Ethics of Alterity, Confrontation and Responsibility in 19th- to 21st-Century British Arts, edited by Christine Reynier and Jean-Michel Ganteau, 169–84. Montpellier: PULM, 2015.

“Poetic instruction”. In Contemporary Olson, edited by David Herd, 89–102. Manchester: Manchester University Press, 2015.

“‘I have always loathed reading’: On Pound’s Late Cantos”. Paideuma 43 (2016): 199-239.

“What Meaning has in Charge: on Wordsworth, Pound and Prynne”. Études britanniques contemporaines 44 (2013): online.

“Responsibility in Verse: William Wordsworth and J. H. Prynne”. In Ethics of Alterity: Confrontation and Responsibility in 19th to 21st Century British Literature, edited by Christine Reynier and Jean-Michel Ganteau, 231–49. Montpellier: PULM, 2013.

“‘The labour of revision’: George Oppen”. The Wolf 23 (Summer 2010): 88-101.

“Advertising Maximus”. In Poetry and Public Language, edited by Tony Lopez and Anthony Caleshu, 149–57. Exeter: Shearsman Books, 2007.

PhD Dissertation:

Credible Practices: Whitman’s Candour, Pound’s Sincerity, Olson’s Literalism. Supervised by Peter Nicholls (Sussex/NYU) and Keston Sutherland. University of Sussex, 2011.